April’s Painting Project: The Instructions

This month we’re going to move from landscape to still life, to looking at something familiar and small, a tube of paint. It’s something we rarely pay much attention to, merely a container for the colour it contains. My thought is for this project to be about slowing down, seeing the familiar with fresh eyes, a reminder that we don’t need to be out chasing new experiences, there’s plenty right in front of us.

So dig out a tube of paint, and study it. Draw it, paint it, collage it, abstract it. Don’t spend too long deciding which is the perfect tube to use, they’re all good. How you juggle the realism/painterly/abstraction balance is up to you. The medium is up to you.

Start with one, explore the possibilities of a composition with a single element. Is the tube flat or rolled up, viewed from the top or side, cap on or off? How about a foreshortened view from the cap end? How many compositional choices do you have with a single tube?

For inspiration: Abstracted and more graphic approach to paint tubes, take a look at the paint-tube paintings by Joshua Starcher (a random find, his website doesn’t give any info about him) and the paint tube paintings by Duane Keiser (the original painting-a-day artist, whose painterly realism I greatly admire).

For intrigue: When I was in Edinburgh a couple of weekends ago, I came across paintings by Donald Provan which are done on paint tube he’s opened and flattened, like this.

My paint-tube painting: For me the aim was to have a painterly painting, something that’s used paint to convey a sense of the subject, with parts that are detailed and parts that are suggestive. I wanted some evidence of the “hand of the artist”, some poetry not an academic treatise.

Painting of a paint tube by Marion Boddy-Evans

The photo above illustrates what my thinking. The small painted lettering isn’t readable, it’s squiggled lines not letters, but your eye wants to make it into words. You can see the brushmarks of paint on the tube, the edges aren’t blended out to make soft transitions in colour/tone. (Project subscribers will get to see step-by-step photos of this painting, and the one before it, on my Patreon.)

I chose this particular tube of paint because I wanted the challenge of the silvers of the metal tube. Silvers are but shades of grey. Though iridescent paint colours we have available to us work beautifully to add the glimmer of light catching on silver, resist these initially and focus on tone. Think three intially — dark, light, and medium. Black, white, and mixed.

The painting above wasn’t my starting point, though, I began with pencil drawings, then added watercolour to a pencil drawing, then got out the acrylics, then there were a couple before the one on the yellow which pleased me.

Drawing paint tubes

Initially I was drawing small than actual size, but then realised it would be easier if I did it the same size as the tube of paint. Remembering that the photos show a viewpoint from above, not what I’m seeing as I’m sat drawing.

Remember to send in your photos for March’s painting project (and previous months). I’m away teaching a workshop at Higham Hall, so the photo gallery won’t appear until the second week in April.

Monsieur P and the BIg Paint Tube

Share Your Thoughts