by Alistair Boddy-Evans
There’s that story about the tourist who stops for directions in the Scottish Highlands and asks for a famous beauty spot. He is told: “If you wanted to get to there, you shouldn’t have started off from here.”
Budding artists saying they are unable to achieve their desired results in a painting invariably assume the fault is somewhere in their ability to finish. But you should consider that perhaps you have started off from the wrong place, and this is why you’re unable to reach your destination.
So let us look at beginnings, starting points for paintings. A blank canvas is the starkest of all beginnings for a painting. It is a void which is often spoken of as having ‘great potential’, but often it causes consternation and procrastination. If there is no clear start, how do you take the first step. There are several, classic, methods for moving the starting point.
1. Preparing the Ground
Psychologists tell us colours are related to emotions. These relationships need not be the same for everyone, but by simply covering the canvas with a monochrome colour you have taken the first step on the path, created the first signpost, set the emotional quality of your art work in progress.
2.? Creating an Ink Blot
Most people know about ink blot tests, those images used by psychologists to spur the imagination and access the deeper parts of your psyche. Well you can do the same with your painting. Smear one or more colours across the blank canvas. Not only does it remove that frightening field of whiteness, but you will start to see things in the abstracted patters of colour and tone. You will be starting your painting with a greater degree of creativity, the colours will act as a muse, getting those ideas sparking. Its easier to get to a destination when you start up high; you’re now rolling down hill and picking up momentum as the destination approaches.
?3. Getting the Packing Right
The two ideas above take you forward in the journey, but what about stepping back slightly? If the problem in your final artwork is the composition, then you should take the time to work on thumbnails. Vary the shape and size of the thumbnail; it could be your initial choice of shape for the canvas is wrong, that it should have been an extreme landscape rather than a squat portrait for instance. Or the positioning of major elements in the painting didn’t quite come together, and the thumbnail gives you the opportunity to move things around. A thumbnail gives you the chance to ‘pour over the atlas’ a bit before stepping out on the journey.
4. Taking your Studies Seriously
The first step with any holiday destination is to look at the guide books and holiday brochures, right? So what about a painting? The first step for inspiration is to get out there and paint a few studies. This is not the same as making thumbnails, you are not looking to find the best composition, but at what inspires you to do the painting in the first place.? Studies are about form and colour and tone, capturing what you see and/or what you imagine. They should be done with a free hand, allowing the creative side of the brain to take over, and allow you to discover those little aspects of a painting which will enthral and mesmerise the eventual audience. And remember, once you have your masterpiece, there is also a market for smaller, modestly priced pieces of original work.
Next time you finish a painting and are dissatisfied with the result, think about where you started the process, rather than thinking your artistic skills are at fault.