After visiting the new Dundee V&A, my Ma and I popped into the city’s McManus Art Gallery and Museum to look at the paintings. It’s another beautiful piece of architecture, opened in 1867 and restored between 2006 and 2009 (see photos). Worth it just for the three Joan Eardley’s.
Loving the V&A in London as I do, a visit to the newV&A Museum in Dundee has been on my wishlist since it opened last September. My Ma and I got there on a drizzly Sunday at the end of May, and I wasn’t disappointed.
The building was designed by Japanese architect Kengo Kuma and photos don’t begin to do it justice. Clever, beautiful, mesmerizing design inside and out. It took a while and many photos before we went inside.
V&A Dundee holds an interesting permenent display of Scottish design history, plus a few ‘other bits’ and a pay-to-see temporary exhibition (entry to the rest is free). It’s not big, leaving me wishing for perhaps a bit more, but without museum fatigue or feeling I couldn’t stop to look slowly at everything that caught my eye .
The lighting was blissfully subdued. There are interactive displays but well integrated and balanced with ‘traditional’ displays of “object + info panel”. My favourites were the cross section of the cables used for the new Queensferry bridge and discovering that kaleidoscopes were invented in 1816 (in Scotland, by a David Brewster). It’s a mix of eras and subjects, I loved it, and will go again some day.
These photos were taken Oban, Iona, Dundee and Glasgow during the trip my Ma and I made last week.
It’s only taken me 10 years to go up the path in the bit of the Uig woodland that follows the River Rha rather than the River Conon. Why I haven’t been before is hard to put into words: I knew there was a waterfall there, but I wasn’t ready for it yet, I was still busy looking at what I’d already been in. It’s not that I think I’ve finished looking at this, more that I felt able to add to it. If you’re thinking “what is she going on about”, I’ll throw in the concept of “slow looking” and stop there.
I had it all to myself. It felt so familiar, like two kloofs I grew up with, Disa Gorge and Koffie Kloof n the Hottentots Holland Mountains. Though the water was even colder.
The Woodland Trust have built a sturdy path, with steps for long-legs.
My fourth drawing, in ink. I messed up the drawn lines when I dabbed at some ink with a piece of paper towel (that “turn it to a clean piece so you don’t inadvertently stamp on ink” error) and then tried to rescue it with some darker ink on the lower waterfall rocks. I’m okay with the result, but liked the earlier version more.
When the in-house art critic first saw the drawing he was looking at it sideways, generating a cautious “uh-huh, urm, what?” response until I turned the sketchbook ninety degrees. Think I need to add a “this way up” arrow to the page!
Photos taken on the journey to drop off my paintings for the Lochalsh Art Fair which is on until Wednesday.
First stop was the classic view towards the Cuillin. A visitor who was parked here, looking on her phone when I stopped, got out and asked me what the speed limit was because everyone seemed to be wanting to go really fast. I later saw her pull into a parking spot to let cars past.
PS: I think I’ve got my websites all moved to the new webhost, but if you see anything strange or missing, let me know! I’ve seen some quotation marks changed to question marks!
Sitting in the sunshine listening to the tinkling of the river at Sligachan today (I mean sketching), I looked left towards the Bundt-cake peak (I mean Glamaig) and noticed a triangle of cloud that you could impossibly put in a painting as it’ll just look wrong.
Line. Shape. Pattern. Repeat. Add colour. Repeat. Pause. Digest. Repeat.
Yesterday I caught the ferry from Uig to Tarbert to deliver a painting, being met at the terminal because the ferry turns around rapidly, 20 minutes between scheduled arrival and departure. It was a nary-a-cloud-in-the-sky day with glorious sunshine, albeit wish-I’d-remembered-my-gloves cold.
This is the painting:
Driving home yesterday from my usual Saturday at Skyeworks, I was compelled to stop and take some snaps of the clouds. The light was simply too beautiful and dramatic to resist. (I also thought the group of photographers I’d passed at Uig Hotel with their tripods and long lenses aimed at the incoming ferry were in the wrong spot!)
The layers of light and dark, the light pinks and yellows behind the purple darks, the streaks of rain connecting land and clod, the calm blues above the drama. The photos were taking facing north. The sun was low on the horizon, and behind me on the left.
There are various contemporary Scottish landscape artists whose compositions are dominated by clouds, which is one of the reasons I’ve mainly created compositions with only a sliver of sky. But it’s tempting to add cloudscapes to my seascapes…