Photos: Seen in Cumbria

I’m in the English Lakes for my “Expressive Skye” workshop. These are a few things that have caught my eye in the last few days. The tea bag notice feels like a short story prompt.








See Things Differently

laundry line isle of skye

What do you see? Make a list of at least six things. Do not use single words such as “washing”, “bus stop”, “road”, “clouds”, or “grass”.

laundry line isle of skye

How about “sun burning through the billowing clouds”, “wind catching the sheets on the line”, “shadow pattern of the wooden fence posts on the road with counterpoint played by white road markings”, and a “seat for Godot in the bus shelter”?

Did I think all this when I stopped to take this photo? No, I was out taking photos for my new reference book for my next Higham Hall workshop. I’d been hoping to find some laundry, as a reference for elements to include in a painting, and that’s what caught my eye, then the pattern on the road. The sun and clouds had been with me all afternoon, so I noticed it only in terms of not looking directly into it. Godot and the bus shelter, that came to me as I was looking at the photo to write this.

What are the thoughts on your list? Post a comment and let me know!

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[Edited to add comments from Facebook]

Lyn Asselta: This is a fabulous exercise! Brilliant! I am always asking my students to stop looking for “nouns” (or objects, things).

Julie Rysdale: Smudgy bus stop windows telling the story of who waited; fenced fingers waiting to trip the unwary; green inky grass to smear on the evidence; alphabet shirts flapping their code to whoever will listen; sunshine fleeing the scene of time; the mysterious clouds the only witness to the drama unfolding!

Kit Wells: Refraction of light, bubbling clouds, stark shadow, moisture in air, contre jour washing, division of observed field into classic parts.

Maddy Buckman: Smeary windows, marching pickets in a fence, a peek at fields beyond through the gaps, billowing clouds on the move, lonely chairs in the empty space, soft but definite shadows, washing lifting in a breeze.

Photos: Out & About on Skye

Sligachan clouds

Lochalsf Art FairPhotos taken on the journey to drop off my paintings for the Lochalsh Art Fair which is on until Wednesday.

First stop was the classic view towards the Cuillin. A visitor who was parked here, looking on her phone when I stopped, got out and asked me what the speed limit was because everyone seemed to be wanting to go really fast. I later saw her pull into a parking spot to let cars past.
View towards Sligachan

Second stop the most-photographed-waterfall-on-Skye:
Most photographed waterfall on Skye

Though it’s more the view in the opposite direction I still want to paint:
stream to Loch Ainort

Obligatory Eilean Donan Castle shot:
Eilean Donan Castle

What caught my eye far more were the patterns by the road bridge:
Shore colours Dornie

Went into Balmacara for the “dark wood”:

And stopped near Kyle for hillside colours (last of the purple heather and bracken turning autumnal) :
Heather colours Kyle

Obligatory shot from the bridge at Sligachan (it wasn’t really this dark, I had the exposure set for the bright cloud):
Sligachan clouds

Plus moody clouds:
moody clouds

Abstract minimalism with Glamaig:
Glamaig Sligachan Skye

Reflection of the sun:
Reflections Sligachan Skye

And the usually ignored beautiful little bridge:
Bridge Sligachan Skye

Stopped at Aros (outskirts of Portree) for a photo of the house across the bay with its becoming-autumnal trees:
Across the Bay Portree

And headed into the pine plantation (thanks for the reminder of how rich a location that is Izzy!):
Forest fallen trunk Skye

Tree bark

Tree growth old man's beard

Moss on tree trunk Skye

And a final stop for moody cloudsand sea near home:
Skye cloudscape

PS: I think I’ve got my websites all moved to the new webhost, but if you see anything strange or missing, let me know! I’ve seen some quotation marks changed to question marks!

Bookshop Find: On the Mastery of Water-Colour Painting

A chance find in Leakey’s bookshop in Inverness.

Book: On the Mastery of Water-Colour Painting by Adrian Hill

Book: On the Mastery of Water-Colour Painting by Adrian Hill

Book: On the Mastery of Water-Colour Painting by Adrian Hill

What I’ve found out: Adrian Hill presented BBC “Sketch Club” from 1958 to 1962 (way before Tony Hart‘s show), was commissioned by the Imperial War Museum in London during the First World War (the first, according to his Wikipedia entry, which also says he went back to art college afterwards, worked as a professional artist and art teacher, and coined the term art therapy) and he wrote quite a few books. There are a dozen of his paintings on the UK public art collection website, and a short BBC radio interview.

But back to the book I found. It’s written in a style you don’t find in contemporary photo-led books, when sentences could be longer and have more complex constructions, language more descriptive and poetic, and opinions more strongly stated. It’s like listening to an artist thinking aloud on various aspects, with the thoughts organized not random.

I suspect quotes will make their appearance as Monday Motivators, but here’s one for today, from Chapter 6 which is called “Timidity and Courage”:

“…once perfect freedom of execution has been enjoyed, a little self-disciple will generally make itself felt, and the rebel will turn docile; whereas the law-abiding student will rarely ‘break bounds’ without persuasion.”

I do wonder if it caught my eye because my mind’s been on my introduction to watercolour workshop on Monday (still spaces if you’d like to join us). How when you know next-to-nothing about a workshop attendee other than they want to learn about watercolour painting you have to prepare approaches that’ll work for wherever they turn out to be on the spectrum from cautious (timid) to expressive (courageous).

“Colors into which a Sunset will Collapse”

“Colors into which a sunset will collapse”

This line is from a poem, Wolf’s Trees, by JD McClatchy.

I came across it via a circuitous journey that involved a new book on trees by the photographer Art Wolfe. Initially it wasn’t anything in the poem that struck a cord, but rather that it’s dedicated to the painter Wolf Kahn, who’s on my list of favourite artists.

The poem overall is one that’s in the “mmmm” category for me, but the line above intrigues my imagination. I find myself replacing “colour” with “branches”. Possibly because at certain times of year the sun sets ‘through’ the woodland at Uig. As yet ill-defined thoughts of a tree painting with sunset colours collapsing into the branches.

Uig Trees Sunset

I Can’t Paint It Like That!

Sitting in the sunshine listening to the tinkling of the river at Sligachan today (I mean sketching), I looked left towards the Bundt-cake peak (I mean Glamaig) and noticed a triangle of cloud that you could impossibly put in a painting as it’ll just look wrong.

Photos: Sketching on Location (aka The Radioactive Green)

The last three days have seen us (the American artists on an art retreat on Skye and me) sketching on the Quiraing, Staffin beach, and Eilean Donan Castle. Shades of green from deep blue-green to improbably intense yellow-sap green (which I mentally think of as radioactive green). It’s not only been sunny enough to dig out the sunblock, but I even ended up looking for a shady spot yesterday at the castle.

My thanks to Michael Chesley Johnson for the pastel demo of rocks at Duntulm. It’s so intriguing, mesmerising, inspiring to see familiar landscape through the eyes of artists seeing it for the first time.

You can read Michael’s blogs on Skye here: Scotland Plein Air Painting Retreat

Waiting for the little Glenelg turntable ferry.
That spot on the bend on the A87 where most people photograph the waterfall, looking the other way.

Photos: Trees at Higham Hall

Being at Higham Hall in April for my workshop meant it was a bit early for most flowers (sorry daffodils, don’t meant to ignore you), but it did mean fewer distractions from beautiful trees like this:

There was a splash of non-daffodil yellow by the pond:

I won’t be sharing my spot-the-red-squirrel photo, but here’s something else I saw in the garden that’s much easierto photograph:

higham Hall Dickinson poem quote garden

My next workshops at Higham Hall are:
4 to 9 November 2018 and 31 March to 5 April 2019.
Contact Higham here…

Fake Cloud (or why you need to leave things out of a landscape painting)

Picturesque cloud stretching high above, a sea of calm grey-blue rhythms, and parts of the band of islands that is the Outer Hebrides. As paintable as it comes.

Except for one thing. And I don’t mean the patch of pines poking in on the left.

It’s that improbable bit of sun-light cloud on top of the island.

Solutions:
1. Leave it out if you know the shape of the island.
2. Omit the sunshine on it if you don’t.

The One That Won’t Swim Away

Goldfish on Gold Painting

This little painting of a goldfish on a gold background was supposed to be for the fish-themed exhibition opening on Thursday* at Skyeworks Gallery. It’d been sitting on my studio table for a while waiting for me to paint an eye, which required me to get over my “I’m going to ruin it” hesitation. No sooner had I done it — and I somehow got it right first time — and had just said to myself “I think this is one for me”, than the in-house art critic came in. He took a look, then said: “Let’s put it on the wall next to Morag’s cat.” So it’s going to be “one that didn’t get away”.

Goldfish on Gold Painting

*If you’re hereabouts, do join us for the exhibition opening at 6pm for Bubbles & Bait. Skyeworks will be open Easter Sunday too, and I’ll be on gallery duty Saturday and Sunday.

Goldfish on Gold Painting