I have been thinking about the patterns in the sand on the beach (see my blog Photos: Seashore Abstracts) which led to thoughts about what a pattern transfer wheel might do, how it might give a line of dots in a painting on paper. These photos are from my first experiments with this idea, starting in my sketchbook and then on 350gsm watercolour paper.
Pricking holes in a drawing is a very old technique used to transfer a drawing onto another surface by making tiny holes in it and then dusting chalk or charcoal through the holes. In artspeak it’s called pouncing. (And another bit of art trivia: a full-sized drawing used for pouncing is called a cartoon. ) You can do it with a pin, but that’ll test my patience.
I tried running the wheel across the paper before I painted and while the watercolour was wet. The latter was more successful, possibly because the damp paper indented more. It “works” by the pigment collecting in the holes, making them darker in colour. (If you don’t see the short video below, click here to see it on my Vimeo page.)
Going back and forth, whilst rotating to the side, created a pattern that fanned out. Perhaps a little regular, but that would be easy to resolve by lifting the tool and repositioning it slightly.
Pressing hard resulted in holes in the paper in my sketchbook. Well, it is what the tool’s designed to do! This wasn’t unexpected, and opens up different possibilities (think: drawing with holes rather than dots).
After playing in my sketchbook for a bit, I decided to have a go at a ‘real picture’ and got out a piece of 350gsm paper. Being quite a thick paper, I was able to press quite hard without making holes through the paper.
I used it both before and after I applied the watercolour, and it definitely works better afterwards. The colour I’m using for the sand is a granulating watercolour, so it’ll dry ‘dotty’ anyway. What the pattern wheel has done is introduce pattern into it that I can control.
The above was done on a piece I cut from an A3 sheet of watercolour. Last year the in-house art critic bought me a fabulous safety ruler that eliminates the worry of the knife slipping and my cutting my fingers. (When we were living in London many moons ago, the in-house art critic once offered to cut a cardboard mount for me which ended up with a trip to ER on the bus, and stitches.) He also bought me a beautiful orange craft knife, because being in love with your tools makes them easier to use, and a sharp blade is safer than a blunt one.