Solo Exhibition at Skyeworks Gallery in Portree, 2016
“Ethereal and eerie and pretty all at the same time.”
— artist Katie Tunn
“Very excited to see roses painted this way, especially the miniature single heads, very intimate yet showy at the same time.” — E.
SOLD Symphony in White.
100x100cm.
SOLD Listening to Roses.
Acrylic on canvas.
100x100cm.
SOLD Concerto in White. Acrylic on canvas.80x100cm
SOLD Yellow Melody.Acrylic on canvas.50x50cm.
SOLD Pink Melody.Oil paint on canvas.50x50cm.
Thorn Warning. Acrylic on canvas.50x50cm. In my personal collection.
Pink Rose Diptych.30x30cm, acrylic on canvas, thin white frame.
SOLD Pink Roses Studies.
15x15cm.
SOLD White Roses Studies #1 #2
15x15cm. Acrylic on canvas.
SOLD Listening to Daffodils80x100cm. SOLD
SOLD Daffodil Studies #1 #2 #3 #4. 15x15cm
SOLD Daffodil Studies #5 #6 #7 #8 #9
SOLD Sunflower Studies #1
15x20cm
SOLD Red Poppies #1 #2 15x20cm.
SOLD “Watching the Soft Northern Light”
100x100cm
SOLD Woodland Studies:
#1 Spring Green
#2 Moonlight
#3 Rain Showers
#4 Dusk
15x15cm.
Coral Beach: Skye
50x50cm. In my personal collection.
SOLD Moods of the Minch: Cool Spring Day
50x50cm
SOLD Moods of the Minch: After Sunrise.
50x50cm.
Moods of the Minch: Cold Snap.80x40cm. Acrylic on canvas.
SOLD Moods of the Minch: Sunshine Glare.
80x40cm. Acrylic on canvas.
SOLD Moods of the Minch: Cold Snap.
120x50cm.
SOLD Musing the Minch: Start of Spring.
120x50cm.
SOLD The Majestic Minch. 150x90cm. Acrylic on canvas.
SOLD Musing the Minch Studies #1 #2
15x15cm. Acrylic on canvas.
SOLD Studio Cats.
Mounted as 25x25cm. Mixed media on paper.
SOLD Studio Cats on wide-edge canvas. 15x15cm.
SOLD Studio Cats.
Mounted 15x15cm
SOLD Studio Cats.
Mounted 15x15cm
SOLD Small individual roses.
The catalogue for exhibition has most (not all) of the exhibition’s paintings in it plus four new large sheep paintings. 40 pages including cover.
My 2016 solo exhibition at Skyeworks features a new subject, roses, inspired by the rambling pink roses growing so enthusiastically outside my studio. I’m not aiming for traditional flower still lifes, but more like colourfields (think: my love of Rothko?s paintings) based on flowers. Patterns and colour tied to reality. The dance between abstract and reality; now you see it as a pattern and now it?s a rose. The joy of flowers, whilst simultaneously being fragile and ever-changing as blooms open fully and then fade.
