On the ‘other’ side of the waterbreak large bands of waves were crashing in, the result of the previous day’s strong north wind. (Larger than they look in this photo because I’m looking down on a steep shore.)
Moving to a favourite picnic table, overlooking the shore, the large boulders exposed, only small waves lapping through bands of seaweed. I’ve been here many times in the nearly 10 years we’ve been on Skye, but I think this was the lowest I’ve ever seen the tide.
I realised that for once I wasn’t staring into the distance, but was being mesmerized by the pattern on the shore. So out came the black ink, followed by a pot of an opaque fluid-acrylic orange that I grabbed as I headed out my studio from where it’s been sitting waiting to be tried for the first time.
Yes, I am applying it with a stick. It gives a randomness to the marks. And, yes, this stick does live in my pencil box because sticks can be hard to find in some locations.
Then, some “sea colours”, in acrylic inks. Payne’s grey, marine blue. A splash of acid yellow-green. Watercolour paper, 350gsm, A3 size.
It’s abstract, but I like it. For me it’s got a sense of location (though seashore, not necessarily Camus Mor) and the breeze in my hair. What others will see and feel, I can only guess.
7 Replies to “Ink Meets Shore”
I love it
Love it. I live on a similar shoreline here in Nova Scotia and it speaks to me of the tide and the marks it leaves.
If I had not read your comments and just viewed the picture, I would still get a feeling of water and shoreline. The black and gray has a tumbling feeling. Love it. <3
what paper did you use?
It’s a 350gsm, A3 size sheet of watercolour paper from Seawhite. It’s heavy enough not to buckle (unless you really soak a page) and has a light (NOT) texture to it.