?While the existing natural forms remain the same… their appearance changes with the time of day, light, and atmospheric conditions. Similar to the way memory takes things separate in time and assembles them into a new entity.
“…the actual subject of the art is not an event proceeding in linear fashion but multifarious simultaneousness of layers of time.”
— Art historian Karin Sagner-D?chting writing about Monet, Monet and Modernism, page 46/7
The more familiar a location becomes, the more the variations, differences and similarities created by the seasons, weather, time of day reveal themselves, filtered through mood. My paintings are not of one moment in a location, but many; often not one location but several combined in memory into one place that feels familiar. I know where it is, but you probably see it at somewhere else.
The cliffs in my forthcoming Edges Exhibition, for instance, remind many of Kilt Rock. But to me it’s not as there’s no waterfall. That cliff painting is still a work-in-progress that might still get finished in time for next Monday’s 6pm exhibition opening.