“The visible brushstrokes had a dual purpose. In one sense, they suggest the movement of the landscape, giving extra body to clouds and land, and indicating rain or the texture of thick grass. Secondly, they make the viewer think of the artist. … Each stroke represents a decision, a judgement, indicating something the artist has seen … The brush marks are analogues for a thought process”“James Morrison: Land and Landscape” by John Morrison, pp10/11
My decision to make a brushmark is sometimes careful and considered, sometimes instinctive and impulsive. The one may lead to the other: pent-up energy overrides precision and my brush goes wild, or the desire for some order from chaos makes me slow down to find and refine aspects.
Using a paint marker pen or splattering, adds another set of marks sitting alongside, on top of, and underneath brushed paint. For me it’s trying to capture in paint how a bit of landscape changes with the light, tide and seasons, never static and more than what you see at a glance.