My Palette Isn’t Pretty

You know those beautifully laid out palettes with a rainbow of colours arranged equidistant from each other around the edges and a mixing area in the middle? Well, mine doesn’t look like that at all, because:
(a) I’m not using a stay-wet palette with acrylics so too much of such squeezed-out paint would dry before I’d used it all.
(b) I don’t decide on all the colours in advance (though I do have regulars).
(b) I don’t use all my regular colours in every painting.
(d) I work with one colour at a time (single or mixed), applying it across the whole composition before moving onto the next, working with the fast-drying of acrylics, not against. Any leftover gets used to build up coloured grounds on a small canvas, so it’s not wasted.
(e) I like colour-mixing through layering and glazing.
(f) I often squeeze paint (and medium) directly onto a canvas, particularly in the initial layers of a painting.
(g) There’s less wet paint for studio cat to jump onto.
My palette is a small mixing area that reflects the last colour I used, in the photo it looks like “sheep black” over Prussian blue over cobalt teal. I wipe the space if the next colour doesn’t want any traces of the last in it. It’s not a pretty, photogenic palette, but it works for me.


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