One more coat of varnish and the first large painting (100x100cm) I’ve done in my new studio will be on its way to Skyeworks Gallery in Portree. It’s certainly a joy being able to leave a freshly varnished painting flat on the studio floor and close the door without concerns about pawprints or donations of fur happening overnight.
This is also the first large painting since I was on a Colour and the Figure workshop, where I spent four days mixing “interesting greys” and using complementaries to desaturate colour (with varying degrees of success). It has strong blue/orange complementaries, fulfilling my desire for some strong colour, but in the tree trunks and shadows I found myself thinking far more deliberately about what was going into mixes, trying to venture into “interesting greys” and “colour-filled shadows” and “building a bridge between orange and blue”.
For once the dominant blue isn’t my favourite Prussian, but ultramarine. Colours used: lemon yellow, cadmium yellow, cadmium orange hue, permanent rose, perelyne green, Prussian blue, cobalt blue, ultramarine and titanium white.