The rocky beach at Duntulm being so exposed it needs a relatively windstill day for it to count as “good painting weather” for this location. Last Sunday was such a day, with the sea flat and calm, small waves breaking on the shore.
The ground and rocks were very wet though, so I decided not to slide my way down the slope onto the shore because I’d have to somehow get back up again. Instead I set up on a relatively flat spot about halfway down to the beach, the sun reaching me before long, and set about painting a section of the rock slabs.
It’s been a little while since I’ve been out with my oil paints, and I enjoyed painting this and am happy with the result, especially when I look at the brushwork up close.
For my second panel I decided to paint the row of bigger rocks in the foreground with the yellows on top. But I soon got distracted by my enjoyment of the ‘interesting greys’ on the top of the panel, the colour mixing and brushmarks with a rigger, and decided to see where this took me.
The in-house art critic said it looks more like something inspired by Monet’s haystacks than a sea shore, and I tend to agree. I think I’ll call it a plein-air colour study and leave it at that.