This project is about using different drawing and painting materials to depict a relatively straightforward subject in order to remind ourselves of materials we’ve forgotten, neglected, not yet tried, been too intimidated to attempt, and love the most. To do a series of drawings/paintings either as individual pieces or together on a large piece of paper.
My suggested subject is a piece of fruit, something that will last for a while. Work from observation not memory because looking at it closely, and repeatedly, will reveal how much we don’t typically notice. Position it the right way up, upside down, on its side, cut in half or peeled, with a bite taken out, as just a core or pip or peel.
Do at least seven drawings/paintings, as large or small as you wish, with or without backgrounds. Dig out all your different materials and give each a go. For instance:
- pencil (line only, tone only, line and tone)
- pen (permanent and water-soluble)
- black only (ink or charcoal)
- black+ (black dominates but using other colours, as in traditional Chinese ink paintings)
- collage (recycling failed paintings)
- unrealistic/exaggerated colour (see Matthew Smith: Apples), a chance to use neglected colours
- dark outlines (Georges Braque: Plate of Apples)
- high key (limiting the range of tones in a painting to medium to light only, no strong dark tones)
- low key (using mostly dark to medium tones, as in Van Gogh’s Basket of Apples)
- palette knife
- texture paste
- loose wet into wet with line added afterwards to suggest detail
At the end of the month, email me a photo of your results for inclusion in the photo gallery. If you’re unsure of how to use any material you’ve got, feel free to email me and ask. For feedback on your results, sign up to be a project subscriber on Patreon, where there’s also an option for me helping you one-to-one with any aspect of your art. Happy painting!
MY PROJECT PAINTING: I’ve chosen a green apple because none of the red ones had a stem, the green gets yellower as the apple ages, the shadow areas invite the use of reds and purples (as complementary to green/yellow) and it takes me away from orange/blue that have become such fundamental colours.
I’m doing it in a concertina sketchbook, with each on a new spread (pair of pages) so that the result will be a book you can flip through seeing them sequentially or open out to see them as a row. Painting over the fold of the paper isn’t ideal as the paint tends to gather there and get the paper too wet and it tears, but a single page felt too squashed.