So, that puddle with the dried grass and reflected tree trunks that I first noticed a couple of weeks ago (see Late Afternoon Walk in Uig Woodland), that has stuck in my mind and become the inspiration for February’s Painting Project, that I’ve painted one-and-a-half times in my studio (the half being unfinished as I’m writing this). Well, I’ve now had a go plein-air painting it.
Part of my hesitation about doing so has been because my favourite viewpoint would mean setting up right next to the path, so no hiding from anyone walking through the woodland. I tried to hide in plain sight by wearing my beanie down low and my coat pulled up. One person said she’d thought I was a photographer. Another looked at me, looked in the direction I was facing, then looked at me with a befuddled expression, and moved on.
I was painting on a 9×12 inch wood panel, with a layer of clear gesso on it. I was quite happy with where I got with it and beginning to ponder whether I needed to add some paint to the area at the back between the trees where there was a lot of bare wood (negative space) when some determined drizzle set in so I stopped painting.
I think the rain shower stopped me from overworking the painting, both in the foreground and background.
This photo gives you a view of the painting in context:
And here’s a close up view that shows you the texture of the wood panel and, if you look closely, the rain drops.
Colours used: Titanium white, atrament black (Schmincke), pthalo turquoise, magenta, azo orange (M Graham, PO62, cheaper than cadmium orange and not as red as PO73), brilliant green (Langridge PG7+PY3), and a yellow (can’t remember exactly what it was and don’t feel like stumbling across to my studio in the dark to check).