The setting: huge country house with a formal garden and a large park. Haddo House in middle-of-nowhere Aberdeenshire, Scotland.
My brain: buzzing about like a bumble bee, absorbing all the possibilities for paintings. I felt obliged to tackle the building because imposter syndrome was whispering in my ear about how this is what “real” pleinair painters would do, but truly the colours and patterns in the garden are what’s lingering in my mind a couple of days later.
My aim with my drawing was to be a drawn exploration of a building with so many different parts to it rather than an obsession with perspective. I found myself wondering why the main door that opens onto the gardens isn’t wider, more grandiose. And if the fountain can be turned up be to more than little dribble. And how strong the wind gets given the supports on the small palm trees.