Boats and architecture are not something I sketch. All that perspective and stuff … which I can do it if I spend a lot of time but for me that’s not a recipe for relaxed drawing at the seaside. But I so want to pull the ideas that include these subjects out of my head and onto paper, and sketching would be the starting point. So I didn’t bother trying to get it right, but focused instead on enjoying the patterns of walls, roofs, chimneys and, at Cullen, the viaduct. I consider these as fear-conquering sketches, first steps on a journey.
Cullen Cullen harbour, acrylic ink Cullen, pen and oil pastel Gardenstown, Inktense stick Gardenstown, Inktense stick Gardenstown, acrylic ink Gardenstown, watercolour and acrylic ink Gardenstown, Inktense stick
The two sketchbooks I used were an A4 size with 350gsm watercolour paper from Seawhite, and A3-width Derwent panoramic with 160gsm smooth drawing paper that didn’t like rain drops at all but does has a useful elastic to hold down pages.
— Photos: On the North Sea Coast (Part 1)
— Sketching at Bow Fiddle Rock (On the North Sea Coast Part 2)
Lovely. Are you at Patchings this year?
Thank you!! I will be at Patchings, and hope to see you there!