I had promised the in-house art critic I wouldn’t touch this painting for a week (this is where I left it) but looking at it at lunchtime I knew what I would do next, and we’d discussed it extensively, so I played the exception card. (The rule being: don’t fiddle with a painting that is unresolved, wait until you have something definite in mind.)
First up, I darkened the sea, particularly the lower section, using Prussian blue mixed with varying quantities of glazing medium. I wanted what was already there to still show through, hence the glazing medium. Then I added a bit more white on top again at the shoreline. Using leftover white mixed with glazing medium, I introduced some mist. I did this in two rounds, starting cautiously, asking the in-house art critic’s opinion, then adding some more. There are also a few more sheep and some birds, though too small to see in this photo.
I’m now back into “don’t touch it mode”, pondering whether it’s finished or not. I suspect it might be.