This painting is inspired by the cliffs at Rubha Hunish, working from my sketches, reference photos and memories of the location. The top photo is where the painting was this morning; the second where it is now.
I had two aims when I picked up my brushes today: to increase the tonal contrast by adding strong darks and fix the shape of the lower cliff which was too perfectly curved. When I downed brushes I felt I’d fixed the latter somewhat, but it still needs further work. The tonal contrast I will ponder in better daylight, as well as consider whether I should add some blue back into the sky.
Part of me is itching to change the weather in the painting to misty, to make everything more ethereal. Or perhaps have the weather coming in from one side. Doing this would involve titanium white and glazing medium, perhaps adding a little retarder to give me time to wipe it off should I change my mind. I think part of the desire to do this is the muted moodiness of my Trying to Snow painting, where I knocked back the colour with thin white.
If you’re wondering how I achieved the vertical dribbles in the sea (which I feel evokes a memory of rain as well as enhancing the sense of movement), it was by letting paint from the cliffs run all the way down to the bottom of the canvas over the still-wet sea area, removing the colour. Later, when it was dry, I’ve painted another layer over this area.
Another thing I want to add are lots of seabirds flying around the cliffs, as well as several more sheep grazing. If you look carefully, you’ll see these two above the lower cliff, at the right.